After reading the link to the piece by Richard Whitehurst (Ohio) I couldn't help but think of Vito Acconci's 1970s performance "Claim." I wonder about the similarities and the differences between these 2 works, especially when I consider the sensationalist quality of Whitehurst's project. From the interview with Whitehurst, there's no acknowledgment of Acconci's work.
"In this record of a live performance, Acconci gives physical manifestation to the subterranean regions of the artist's mind and will, revealing the effort he must make as an artist to simultaneously convince himself and his audience. Perhaps no other piece from the early 1970s more thoroughly spells out the psychologized drama engendered by performance-based video.... Blindfolded, seated in a basement at the end of a long flight of stairs, armed with metal pipes and a crowbar, threatening to swing at anyone who tried to come near, Acconci simultaneously invited and prohibited every visitor to the 93 Grand Street loft to descend into the world of the unconscious."
—Kathy O'Dell, "Performance, Video, and Trouble in the Home," in Illuminating Video: An Essential Guide to Video Art, eds. Doug Hall and Sally Jo Fifer (New York: Aperture Books, 1991)
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